HIS 104: History of Europe to the Mid-Seventeenth Century

Course Description:

This course is a survey of the development of European politics, society, and culture through the Age of Religious Conflict. Successful completion of this course will satisfy half of your U.K. baccalaureate degree's cross-disciplinary requirement -- it is paired with English 261. If you take HIS 105 and ENG 262 also, then you will have completed a Humanities Cluster, which will fulfill the Humanities and the Cross-Disciplinary Requirements at the same time. With these courses addressing common themes and working in tandem, you should gain an integrative perspective on modern Western Civilization.

Course Objective:

Upon completion of this course, a student should be able to:
  1. read and evaluate historical resources critically.
  2. demonstrate an understanding of cultural, economic, literary, political, religious, and social values related to the period covered by this course.

Course Outline

Cross Disciplinary Theme I -- WAR, HEROES, AND CIVILIZATION: This unit will focus on the shaping of the Western individual and society. We will explore the ancients' quest for identity; explore how the individual both shapes and is shaped by society, and discuss Greek explanations for certain phenomena, e.g., chaos, death, injustice.
Ancient Origins of the Western World: Africa's Egypt & the Middle East's Mesopotamia
The Hellenes
Alexander and the Hellenistic Era

Cross Disciplinary Theme II -- PAX ROMANA: LAW, TRADITION, CHANGE AND CORRUPTION: We will examine the place of Roman ideals and ideas in Western culture, the continuity and change that Christianity entailed, and the falling away from or corruption of both Roman and Christian values.
The Roman Republic
The Roman Empire
Cross Disciplinary Theme III -- LOVE AND DEATH: The focus in this unit will be to study the effects of great change in feudal societies, societies which highly valued stasis in class structure and the chivalric ideal. This change was effected by chaos (resulting from wars, plagues), by commercialization, and by changing ideals.
The Byzantine Empire and Kiev
The Early Middle Ages
The High Middle Ages
Cross Disciplinary Theme IV -- A QUESTION OF POWER: .... who's got it? This unit will explore early modern Europe in cultural and socio-economic upheaval. We will question the role of the individual and the community in establishing the modern state.
The Renaissance
The Reformation
Rise of the Modern State
Western Expansion

SAMPLE WRITING ASSIGNMENT:

Critical Biographical Review
If you've never felt secure about your research skills or typed a formal college paper, make an appointment to see me as soon as possible to discuss what is expected. I am more than happy to help you -- don't let me get off too easily in this course! Keep note of the times the Writing Center tutors are available and bring your paper in to OB228 to get help from them, too.

 ASSIGNMENT OBJECTIVES:

     
  1. To give HISTORY 104 a chance to come alive by reading about how people lived and thought in pre-industrial Europe.
  2. To research and summarize different perspectives that historians have on any one particular historical personality (whether legendary or real) or of a  historical community.
  3. To write a meaningful essay that shows the amount of research and original thought you have given this assignment, giving your own assessment of how that person or community reflected or affected the contents of this course. You should show at least two sides of controversy you have found in your research.
  4. To produce an impressive looking monograph of 3-5 pages with complete sentences, correct grammar and syntax, a proper list of references, and a thoughtful title. (You decide if it should be typed! Presentation will be graded.)
You are not being asked to write a complete history of your subject, and you should not try. Instead, you should use your knowledge of the subject to develop a particular theme, a main point or argument. Find out who or what your topic is about by doing some preliminary research, and then step back and think -- carefully and in your own way -- what is the most important aspect you wish to explore. Then write an outline or idea-map that will focus on your idea, leaving room for the other point of view found in your research.

 STEPS TO FOLLOW
As you skim through your text before class, try to imagine being there or seeing a particular individual react to the problems around him or her. Listen in class and participate by questioning or discussing issues you about which you have read. Start to skim ahead by several chapters (or at least look through the Table of Contents) for a topic or an individual that catches your eye -- something about which you want to learn in more detail. Talk with your instructor, a friend, or relative about the issues in the book that seem interesting to you. Then, STEP 1, choose an individual or a community of like individuals on which you want to do further research. Think about the Unit Topic under which this individual fits chronologically -- I recommend you try to find one of the following:

Ask a public services or reference librarian to help you determine whether there will be adequate resources on the individual or community you have chosen. You can use the Academic Index of "InfoTrac" as well as "NOTIS" to get some choices of related journal articles and texts.

STEP 2 -- By the 4th week of classes, you must turn in to my mailbox the following information:

     
  1. The name of the individual you will be researching
  2. Citations (author, title, publisher, date) of at least 3 texts and/or articles that are available to you -- this does not include encyclopedias!
STEP 3 is to make yourself familiar with your chosen individual. Use encyclopedias and at least one of your historical resources from the list you turned in to me to write a one page summary of your individual's biography -- this should be in outline form, using phrases and creative spacing on the paper to show me that you under- stand the major themes involved in this person's life. Turn in your one page sketch no later than one week after your topic is chosen! This part of the assignment will be graded on a pass/fail basis and will count as 2 points of the total 25 points of the paper.

 Don't stop working on your project now! Go on to STEP 4 and learn more about the time period around your chosen excerpt and writings on it by contemporaries as well as historians. Put the bibliographical information on index cards with notes to yourself as to how you can use each resource (e.g., for basic information about the individual, or for a contrary interpretation to argue against). Bring at least three of these cards with you to the conference with me. This step of the process will also be graded on a pass/fail basis and will count as 3 points towards your final grade. Your cards should include the following parts:

STEP 5 is taking notes -- again, this historian and researcher heartily recommends index cards! Follow up each bibliographic entry with as many notes as you think you'll need, but try hard to remember to sprinkle page numbers of the text through out so that you can have adequate record of where the information comes from for your footnotes. The more notes written in your own words, the better -- and the easier(!) -- the writing process will be.

Write a phrase or potential paper title describing your individual to start you off in STEP 6. Begin to sketch out your ideas (and I recommend literally "sketching") on a big piece of paper (maybe graph paper?). Under your descriptive phrase, write a few words under "WHO-WHERE-WHEN" "SIGNIFICANCE TO UNIT THEME" "OTHER THEORIES" and "SO WHAT DO I THINK?" so that you can get something out of your head and onto paper to look at. This is called an "idea-map." Then begin to stack your resource cards in their proper places on the paper. Now let it sit for a while (maybe a week or two). Put it in a safe place!

In STEP 7 find your idea-map and make sure that you still agree with your initial reactions to the topic. Also, check to make sure that you have adequate research information for each section. Now you begin to write on paper (or machine). Don't pay any attention to grammar or style yet, just get the points down in some fashion so that you can begin to manipulate them into something readable. Write a couple of drafts by Thanksgiving and get my feedback on your ideas. STEP 8 is polishing and refining. The goal of your writing should be to introduce the theme clearly, support it effectively in the body or central development, and then draw meaningful conclusions about it. As you construct each section of your paper, ask:

If you develop each paragraph by including transition sentences to explain the relationship between paragraphs, then the paper becomes tightly knit and persuasive rather than a random group of facts that do not seem to move in any clear direction. Quotations: Don't quote too often or too long. Unless the words of your source are unbelievably artistic, or unless great controversy surrounds the statement, a quotation is not necessary. In most cases a paraphrase or summary of the statement, properly footnoted, is sufficient.

Plagiarism: "To steal and pass off the ideas or words of another as one's own; to use a created production without crediting the source."
     The only thing worse than misquoting from your sources is plagiarizing from them. It is easy to get into the habit of using someone else's words instead of your own, so just don't start! First of all, I can tell the difference between the language of someone who has spent years researching a topic and that of the average history student. Second, and more important, is the fact that thinking is learning -- if you think about something and then put it into your own words instead of copying it, you have begun the rewarding task of learning. Anything else and you're just cheating yourself out of a college course, already bought and paid for.

Footnotes: Footnotes give the source of the facts and opinions that appear in your paper. If you quote, paraphrase, or summarize from your research materials, you must say where the original information can be found. The following three types of statements should be footnoted:

     
  1. all direct quotations
  2. controversial facts or opinions that not all of your sources agree on
  3. statements of fact or opinion that directly support your main points. HOWEVER, if your resource in this case is the encyclopedia DO NOT FOOTNOTE (unless it is a controversial issue) -- the whole purpose of an encyclopedia is to have at hand general knowledge that most scholars agree on as accurate to that date.
There is no such thing as the right number of footnotes, but this critical review should not contain more than twelve to fifteen footnotes. When you decide that a footnote is necessary, place a number at the end of the sentence or phrase that contains the information to be documented. Number them consecutively throughout the work and write the citations on a separate piece of paper as you compose the rough draft. The finished paper should have the footnotes listed on the page(s) following your text but placed before the Bibliography page. Please use Turabian or Chicago style format -- check with a librarian or the Writing Center to get examples.

Bibliography: A bibliography is an alphabetical list of the resources you used in writing your paper and should be placed at the end of your paper. It must include all those sources that appear in footnotes, and all those works that gave important background information. However, do not list every source you looked at in the course of your research, only those that influenced your final product. For example, if you used an encyclopedia to learn general knowledge about your topic, it does not need to be included in your bibliography. Again, use Turabian or Chicago Style.

Now check for the following:

Read the paper aloud to a friend -- this will help you catch poor sentence construction and awkward phrases. Take it to the Writing Center consultants.

 Final Form: Leave at least an inch margin on all sides (sometimes 1.5 inches on the left margin is preferable). Double-space the text except for long quotations, footnotes, and bibliography which should be single spaced. Number each page in the upper right-hand corner. Prepare a separate title page that includes the title, your full name, the course name and number, my name, and the date. Make a copy of your work in case the original is lost.

Your paper will be evaluated and graded with the following checklist. NO LATE PAPERS WILL BE ACCEPTED!

HIS104 WRITTEN PROJECT CHECKLIST
Presentation (2 points)
References: quality/type & format (4 points)
Title Describing Your Thesis (1 point)
Your Thesis & Conclusions (3 points)
Content (10 points)
   - PRO (your thesis' supporting evidence)
   - CON (contrary theories)
= 20 pts possible
+ 2 pts (Pass/Fail, Summary Bio Outline)
+ 3 pts (Pass/Fail, Resource Cards & Conference)


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Posted May 1996; Revised June 2003

http://www.bluegrass.kctcs.edu/LCC/HIS/104